Young Omahaw, War Eagle, Little Missouri and Pawnees - Charles Bird King

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Inspired by - Charles Bird King - Young Omahaw, War Eagle, Little Missouri and Pawnees

Between 1820 and 1842 Charles King painted some 143 of the most famous paintings of American Indian chiefs. This was when they were still at the peak of their glory and reflected the full flowering of their people's culture. The portraits were commissioned by Thomas McKenney, the head of the Bureau of Indian Affairs. King would paint the chiefs in his downtown studio, when they came to Washington to do business with the department.

Chief War Eagle wears a Jefferson Indian Peace Medal. This was a sign of great status for an Indian and worn at all formal events. Americans as well as Europeans gave out peace metals as far back as the 1600’s. The Jefferson Indian Peace Medal was the first medal to bear the image of an American president. Thomas Jefferson was depicted in profile on the obverse of the medal, with the inscription: "TH. JEFFERSON PRESIDENT OF THE U.S. A.D. 1801." The inscription on the reverse, "PEACE AND FRIENDSHIP," was symbolized by the image of clasped hands and a crossed tomahawk and peace pipe. Federal officials distributed medals when traveling through Indian territories. Lewis and Clark gave out about 87 metals on their expedition. In 1804, a dozen Osage chiefs arrived in Washington City. They were the first to make the long trip at the invitation of Captains Lewis and Clark. They were the first Native chiefs that Jefferson would meet and present with this metal. See original: bit.ly/3fXSerk

Henri de Toulouse-Lautrec - At the Moulin Rouge: The Dance

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Inspired by Henri de Toulouse-Lautrec - At the Moulin Rouge: The Dance

A penciled inscription, in the artist's hand, on the back of this famous painting reads: "The instruction of the new ones by Valentine the Boneless." A nickname given a nimble dancer who instructed the Moulin Rouge rookies in the can-can. Many of the inhabitants of the scene are well-known members of Lautrec's demimonde of prostitutes and artists. At the far right the Irish poet William Butler Yeats leans on the bar. The owner of the Moulin Rouge liked the painting so much he hung it over the bar.

Lautrec was born with serious congenital health condition which could be attributed to aristocratic inbreeding. Even his parents, the Comte and Comtesse, were first cousins. At the age of thirteen, Henri fractured both his femurs. Neither of the breaks healed properly, because of a brittle bone genetic disorder called pycnodysostosis (try and pronounce that!) which is frequently called Toulouse-Lautrec syndrome today. The injuries permanently halted the growth of his legs causing him to develop a full adult torso, while his legs remained child sized.

Lautrec popularized the cocktail. He was known for getting drunk off “earthquake cocktails”, which were a strong mixture of absinthe and cognac. He even hollowed out his cane, so that he could fill it with liquor. One of his drinking buddies was van Gogh, who he painted sipping a glass of absinthe. One evening they were so drunk that Lautrec offered to duel on Van Gogh's behalf, following a dispute with an equally drunken Belgian who had disrespected his Netherlandish friend. The vagaries of this lifestyle caught up with him, and he succumbed to the effects of alcoholism at the age of 36. https://bit.ly/3rgIT1c

Johannes Vermeer – The Art of Painting

Although Vermeer began as an art salesman, he considered himself more of a painter. He only worked on commission and did not produce more than two or three paintings a year. This allowed him to provide for his wife and their eleven children. For this reason he only produced 45 works. Only 35 still exist.

Considered the most iconic of Vermeer’s existing masterpieces. The Art of the Painting has had a rough ride in the last century. In 1935 Andrew Mellon sought to purchase the painting from its Austrian owners for $1 million, but failed. In 1940 Adolf Hitler acquired the painting for considerably less. It was to be hung in his Fuhermuseum, which was never built. Instead it ended up in a bunker in an Austrian salt mine where it waited out the war. It was one of many masterpieces of art that were rescued by the US Army Monument Men division. Link to original: https://en.wikipedia.org/wiki/The_Art_of_Painting

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Johannes Vermeer - The Art of Painting – 1666
Kunsthistrisches Museum, Vienna

Georges de la Tour - The Fortune Teller

Georges de la Tour was a 17th century painter whose work lived in obscurity until the 1930’s. He reappeared when the Louvre mounted an exhibition of French 17th century painters. Then his work began to sell for millions. This painting was purchased by the Met in 1960 for an undisclosed ,but ”very large sum of money”. The French were outraged, but like several other de la Tours the Louvre may have considered it a fake. Among the evidence is a claim that the word "MERDE" (French for "shit") could be seen in the lace collar of the young woman second from left.  Two members of the Metropolitan curatorial staff accepted that the word was there, regarding it as the work of a recent restorer, and it was then removed in 1982. See the original: https://bit.ly/2GnOXvR

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Georges de la Tour – The Fortune Teller – 1630
Metropolitan Museum of Art

Santa gets a Tattoo

For many years I would dress as Santa and create a photo that I could send to my clients around the holidays. This photo was one of my favorites. The tattoo parlor in Easton, PA was the perfect setting for a Santa photo folly. And no, I do not have Merry Christmas tattooed on my arm. The first Santa was shot in 1982. This one was shot 25 years later.

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Santa gets a tattoo

Henry Fuseli – The Nightmare

The Nightmare was likely inspired by an interpretation of dreams based on Germanic folklore, in which demons possessed people who slept alone. In these stories men were visited by horses, and women were ravished by the devil. The woman is surmounted by an incubus; a mythological demon who lies upon sleeping women. It has remained Fuseli's best-known work. With its first exhibition in 1782 at the Royal Academy of London, the image became famous. After that Fuseli painted at least three versions.
To see the original: https://bit.ly/2VREsHx

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Henry Fuseli - The Nightmare - 1871
Detroit Institute of Art