Henri de Toulouse-Lautrec - At the Moulin Rouge-

Inspired by: Henri de Toulouse-Lautrec

A penciled inscription, in the artist's hand, on the back of this famous painting reads: "The instruction of the new ones by Valentine the Boneless." A nickname given a nimble dancer who instructed the Moulin Rouge rookies in the can-can. Many of the inhabitants of the scene are well-known members of Lautrec's demimonde of prostitutes and artists. At the far right the Irish poet William Butler Yeats leans on the bar. The owner of the Moulin Rouge liked the painting so much he hung it over the bar.

Lautrec was born with serious congenital health condition which could be attributed to aristocratic inbreeding. Even his parents, the Comte and Comtesse, were first cousins. At the age of thirteen, Henri fractured both his femurs. Neither of the breaks healed properly, because of a brittle bone genetic disorder called pycnodysostosis (try and pronounce that!) which is frequently called Toulouse-Lautrec syndrome today. The injuries permanently halted the growth of his legs causing him to develop a full adult torso, while his legs remained child sized.

Lautrec popularized the cocktail. He was known for getting drunk off “earthquake cocktails”, which were a strong mixture of absinthe and cognac. He even hollowed out his cane, so that he could fill it with liquor. One of his drinking buddies was van Gogh, who he painted sipping a glass of absinthe. One evening the two were so drunk that Lautrec challenged an equally drunken Belgian to a dual after he desrespected his Netherlandish friend. To see original: https://bit.ly/4pr4Kh2

Henri Matisse - The Dance

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Inspired by: Henri Matisse - The Dance

The Dance was commissioned by a Russian businessman and art collector Sergei Shchukin, with whom
Matisse had a long association. This painting hung together with Matisse’ Music on the staircase of Shchukin's Moscow mansion. A year after the Russian Revolution his house and collection was confiscated via a decree signed by Lenin. His home then became the State Museum of New Western Art. In 1948, Stalin signed the

decree which closed it down because of its “bourgeois artwork”. The contents were then split between the Pushkin Museum of Fine Arts and the Hermitage Museum.

Dance (II) was commissioned by a businessman and art collector Albert Barnes with whom Matisse also had a long association. It hung above the windows in the main gallery of his home (which housed 24 other Matisse paintings). After a lengthy lawsuit following his death, the Barnes Foundation collection was appropriated by the city of Philadelphia, and relocated to the Parkway near the Philadelphia Museum of Art.

A third version (which was a study for the first) was acquired by Nelson Rockefeller, a businessman and art collector, and donated to the MOMA. I guess businessmen just “Wanna Dance”.

To see original: https://bit.ly/4jhX5PU

Jacques-Louis David - The Intervention of the Sabine Women

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Inspired by Jacques-Louis David - The Intervention of the Sabine Women

In the 8th century BC, the Romans abducted the Sabine women to increase their child bearing population. They abducted 30 women, including the princess Hersilia, who became the wife of Romulus the Roman leader. Years later the Sabines returned to Rome to get revenge. In the ensuing battle Hersilia, the Sabine women and all their kids intervened to stop the bloodshed. Hersilia is standing between her father Tatius, King of the Sabines and her husband Romulus first king of Rome. In the end the two tribes sued for peace and formed a joint government.

The children in the foreground seem to be oblivious to the battle going on around them. Two of the children are having a wrestling match. The one attacks his brother like they were in a schoolyard brawl. In the middle of all this mayhem, the baby between Romulus’ feet casually sucks his thumb.

Go here for original photo: bit.ly/3vyNqAN

Jacques-Louis David - Napoleon Crossing the Alps

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Inspired by: Jacques-Louis David - Napoleon Crossing the Alps

This was the first of five versions of this painting. When Napoleon became the First Consul he attempted to make peace with Charles IV of Spain. While talks were underway to re-establish diplomatic relations, a traditional exchange of gifts took place. Charles received Versailles-manufactured pistols, dresses and jewels for the queen from the best Parisian designers. In return Napoleon was offered sixteen Spanish horses from the royal stables, portraits of the king and queen by Goya, and this portrait that was to be commissioned rom David. Charles decided to hang it in the palace in Madrid, so Bonaparte instructed David to produce three additional versions. David threw in an extra for himself. This version remained in Madrid until 1812, when it was taken by Joseph Bonaparte after his abdication as King of Spain. During his exile in the United States it hung at his Point Breeze estate near Bordentown, NJ. In truth, this is a pretentious depiction of the event, since Napoleon crossed the Alps on a mule and instead of leading his army into battle, he followed them.

To see the original:bit.ly/4c98K06

Gustave Caillebotte - Paris Street; Rainy Day

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Inspired by: Gustave Caillebotte - Paris Street; Rainy Day

This painting depicts the aftermath of Baron Haussmann’s controversial plan to renovate Paris. His wide boulevards replaced many of the beloved buildings of the city. Caillebotte was in the camp of those who hated his plan, and what it would do to the Parisians. The scene is a grey rainy day, the colors almost monochromatic, which instills a glum feeling in his figures. The canvas is monumental, almost eight feet across, which allows you to study the individual characters. and some are quite whimsical. Two legs of a man appear under an umbrella, there is a man carrying a ladder through the streets, and a woman who is opening an umbrella which seems to be shoved it into the head of the main character. Caillebotte was very wealthy. His father made a fortune supplying Napoleon's army with uniforms, and Gustave inherited that fortune at age 26. He was a close friend of many of the Impressionists, and funded and curated their exhibitions. He loaned them money (in fact, he paid the rent on Monet's studio for a while.) Most importantly, he bought their paintings for top dollar, amassing a collection of more than seventy works of Impressionist friends. His death at the young age of forty-five brought an abrupt end to an evolving career. He donated his Impressionist paintings as well as many of his own to the French State. The bequest specified that all the works should be displayed in the Louvre Museum. This was somewhat problematic, as his art was still not accepted widely by the mainstream artistic establishment.

To see original: https://bit.ly/4bw3KlE

Tahitian Women on the Beach - Paul Gaugin

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Inspired by Paul Gaugin - Tahitian Women on the Beach

Born in Peru, he emigrated to France, and secured a job as a stockbroker in Paris. He did quite well as a broker. By the age of 31 he was pulling down 30,000 Francs a year, the equivalent of about $150,000 today. At the age of 35 he gave it all up to be a painter. This new job was not a success, so in 1891 he left his wife and five children and headed for Tahiti. He stayed there for ten years, returning once to try to sell his work and raise capital to return. His life in Tahiti was tempestuous. He married three times, all teenage island girls (13 and 14). This was considered a marriageable age in the Tahitian culture, but in western culture it is considered pedophilia. Gaugin was not the only French colonist that took advantage of the Tahitians desire for status or financial gain. These weddings were not legally binding and all three of his wives eventually left him. Gaugin used his wives for the models in countless paintings. The model for both of the women in this painting is Teha’amana, his first Tahitian muse, lover and eventually wife.

In 1901 when he became seriously ill with syphilis and in trouble with the French authorities, he left town. Alone and impoverished, Gauguin died of a stroke in the Marquesas Islands on May 8, 1903. He has been championed and reviled by art history. His painting was magnificent, but his lifestyle seems unacceptable.

If you would like to see the original painting: bit.ly/43HIFQS

Inspired by: Edgar Degas - The Absinthe Drinker

Absinthe (also known as La Fée Verte or ‘the green fairy’) was a green colored, highly alcoholic spirit. Poured over ice and served with water and a cube of sugar to soften the bitter taste. It was highly addictive and known to cause hallucinations. Its growing popularity and its negative social effects led to absinthe being banned in much of Europe and America.This cafe has been identified. It is "La Nouvelle Athènes", in Place Pigalle near Sacre-Coeur, at the foot of the Montmartre hill. At the time it was a meeting place for modern artists and a hotbed of intellectual bohemians. Degas asked people he knew to pose for the figures. Ellen André was an actress, and an artist's model, who posed for a number of other impressionists. Marcellin Desboutin was an engraver and artist. When criticism of the painting cast a slur on their reputations, Degas had to state publicly that they were not alcoholics. 'L'Absinthe' sparked controversy more than once. The painting was first shown, along with 25 of his paintings, in the Third Impressionist Exhibition of 1877. The critics found it ugly and disgusting. It was then put into storage. It was shown again 16 years later, in England. The English critics viewed it as a warning lesson against absintheand the French in general. In May 1893, the work was bought for the amazing sum of 21,000 francs ($275,000 today) by Count Isaac de Camondo, who bequeathed it to the Louvre in 1908 and from there to the Musée d'Orsay. Its original title was Dans un Café, a name often used today. Other early titles were A sketch of a French Café and Figures at Café. It was changed to L'Absinthe when it was exhibited in England in 1893.

To see original: https://bit.ly/3GgFkho

Georges de La Tour – The Cheat with the Ace of Diamonds

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Inspired by Georges de La Tour - The Cheat with the Ace of Diamonds

The Cheat with the Ace of Diamonds - 1635

Musée du Louvre, Paris

De la Tour created two versions of this painting. One is in the Louvre and the other is in the Kimbell Art Museum, Fort Worth Texas. The only difference being the clothes and especially the cheat card. In this painting that card is an ace of diamonds and in the other it is an ace of clubs. You can probably guess the name of the Kimbell version. Like so many paintings from the 17th century, this one is loaded with a moral message from the church. Many artists wished to remind their audiences that sinners were barred from Heaven. As far as sins go this painting includes the three biggies: gambling, drunkenness and lust. The choice of the cheat cards is no accident. The diamond evokes money and commerce of the flesh, while the club symbolizes ill fortune.

De la tour was a very successful painter in the 1600’s, but quickly fell out of favor after his death. His star would not rise again until this painting appeared in a 1934 exhibition at the Louvre. It was the first time his work had been exhibited in almost 300 years. This sparked a growing craze for the artist and his work started popping up everywhere. Despite this new stardom, Pierre Landry, a Paris art dealer, spent 15 years trying to get the Louvre to buy this painting. They finally completed the acquisition in 1972. Maybe he was just asking for too much money.

To see original: bit.ly/3Cx2aiB