Piero di Cosimo - Portraits da Sangallo

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Inspired by: Piero di Cosimo - Portraits da Sangallo 

Giuliano da Sangallo was an architect along with his father, uncles and his son. Giuliano commissioned these portraits soon after his father’s death. A death mask was probably used to recreate his father’s likeness. This diptych is an early example of a portrait in which the subject’s profession plays a key role. On the table in front of each subject lies the tools of their profession. Giuliano got a pen and dividers for architecture, but Francesco, who was not only an architect but more importantly a musician, got a piece of sheet music. Giuliano was a part of the Renaissance scene. He assisted in the design of St Peter’s Basilica. He was also called upon to help Michelangelo remove mold from the Sistine Chapel ceiling after the younger artist had applied too wet a plaster. Originally Piero di Lorenzo, Cosimo took the name of his master Cosimo Rosselli. He also took his daughter in marriage, and assisted him in his Sistine Chapel frescos. During his lifetime, Piero acquired a reputation for eccentricity. Reportedly, he was deathly afraid of thunderstorms, and so pyrophobic that the only food he cooked was hard-boiled eggs, which he prepared 50 at a time while boiling glue for his artworks. The great historian Vasari wrote, “Through his brutish ways he was rather held to be a madman. He could not stand babies crying, men coughing, bells ringing, or friars chanting,”  See original: https://www.rijksmuseum.nl/en/collection/SK-C-1367

Jacques-Louis David - Napoleon Crossing the Alps

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Inspired by: Jacques-Louis David - Napoleon Crossing the Alps

This was the first of five versions of this painting. When Napoleon became the First Consul he attempted to make peace with Charles IV of Spain. While talks were underway to re-establish diplomatic relations, a traditional exchange of gifts took place. Charles received Versailles-manufactured pistols, dresses and jewels for the queen from the best Parisian designers. In return Napoleon was offered sixteen Spanish horses from the royal stables, portraits of the king and queen by Goya, and this portrait that was to be commissioned rom David. Charles decided to hang it in the palace in Madrid, so Bonaparte instructed David to produce three additional versions. David threw in an extra for himself. This version remained in Madrid until 1812, when it was taken by Joseph Bonaparte after his abdication as King of Spain. During his exile in the United States it hung at his Point Breeze estate near Bordentown, NJ. In truth, this is a pretentious depiction of the event, since Napoleon crossed the Alps on a mule and instead of leading his army into battle, he followed them.

To see the original:bit.ly/4c98K06

Hieronymus Bosch and workshop - The Conjurer

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Inspired by Hieronymus Bosch and workshop - The Conjurer

There are five known versions of this painting and one engraving, but most experts believe this one is the most reliable copy. It is kept locked in a safe and loaned out on a limited basis for special exhibitions. It’s been under lock and key, since it was stolen in 1978, but luckily returned a few months later.

Like many Flemish paintings it conveys a moral message. The owl in the basket at the conjurer's waist signifies the dark arts. The frog jumping from the mouth of the dupe represents reason having given in to bestial impulses. The child, watching the victim being robbed of his money purse exemplifies the Flemish proverb: "He who lets himself be fooled by conjuring tricks loses his money and becomes the laughing stock of children."

The conjurer enthralls his audience with a game of “cups and balls”, an ancient gambling game. It is based on deception and sleight of hand, thus the conjurer. The routine includes many of the fundamental effects of magic: the balls vanish, appear, transpose and reappear. An illustration of this game can be found on the 2500BC wall of an Egyptian burial chamber.

To see original: bit.ly/3MYwqtD

Inspired by: Edgar Degas - The Absinthe Drinker

Absinthe (also known as La Fée Verte or ‘the green fairy’) was a green colored, highly alcoholic spirit. Poured over ice and served with water and a cube of sugar to soften the bitter taste. It was highly addictive and known to cause hallucinations. Its growing popularity and its negative social effects led to absinthe being banned in much of Europe and America.This cafe has been identified. It is "La Nouvelle Athènes", in Place Pigalle near Sacre-Coeur, at the foot of the Montmartre hill. At the time it was a meeting place for modern artists and a hotbed of intellectual bohemians. Degas asked people he knew to pose for the figures. Ellen André was an actress, and an artist's model, who posed for a number of other impressionists. Marcellin Desboutin was an engraver and artist. When criticism of the painting cast a slur on their reputations, Degas had to state publicly that they were not alcoholics. 'L'Absinthe' sparked controversy more than once. The painting was first shown, along with 25 of his paintings, in the Third Impressionist Exhibition of 1877. The critics found it ugly and disgusting. It was then put into storage. It was shown again 16 years later, in England. The English critics viewed it as a warning lesson against absintheand the French in general. In May 1893, the work was bought for the amazing sum of 21,000 francs ($275,000 today) by Count Isaac de Camondo, who bequeathed it to the Louvre in 1908 and from there to the Musée d'Orsay. Its original title was Dans un Café, a name often used today. Other early titles were A sketch of a French Café and Figures at Café. It was changed to L'Absinthe when it was exhibited in England in 1893.

To see original: https://bit.ly/3GgFkho

Sandro Botticelli - Primavera

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Inspired by: Sandro Botticelli , Primavera

Many believe this painting was commissioned by Medicis as a gift on the occasion of a family wedding. Though the ceremony took place in July, the nuptial was originally scheduled for May, making spring an appropriate subject matter. In the painting, nine mythological figures appear in an orange grove (a reference to the Medicis). All around them, sprout hundreds of flowers in bloom. There are almost 500 blossoms, representing about 200 different species of which 130 have been specifically identified. The characters in the painting are intended to be identified in order from right to left to suggest the progression of the Spring season. Zephyrus god of March, followed by Venus, the goddess of April, and Mercury, the god of May. Mercury uses his caduceus to disperse the wisps of clouds in preparation for the oncoming summer. The caduceus is Mercury’s magic wand entwined by two serpents. It became a symbol of the medical profession. To see original: https://bit.ly/2FC6z83

Caspar David Friederich - Wanderer Above the Sea of Fog

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Inspired by Caspar David Friederich - Wanderer Above the Sea of Fog

If you Google Romantcism this painting is one of the first that will appear in the images. Romanticism was an artistic, literary, musical, and intellectual movement that originated in Europe, and was in its peak in the early 1800’s. Standing on a high dark rock, while foggy mist swarms over the distant valleys and mountains beyond, a lone figure contemplates his place in the universe,

At the age of 13 Kasper was skating on the Baltic with his brother. He fell through the ice, and hisis brother came to his rescue. Caspar lived but his brother died. This emotional experience haunted him for most of life. He attempted suicide in his adulthood. It may be the reason for the somber feeling in his early paintings. He painted the Wanderer at the age 34. That was also the year he married Caroline Baumar. After his marriage, his paintings became lighter, adding more color and people. Although his people were usually looking away from the painter.

To see original - https://bit.ly/3Q5qn4u