Young Omahaw, War Eagle, Little Missouri and Pawnees - Charles Bird King

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Inspired by - Charles Bird King - Young Omahaw, War Eagle, Little Missouri and Pawnees

Between 1820 and 1842 Charles King painted some 143 of the most famous paintings of American Indian chiefs. This was when they were still at the peak of their glory and reflected the full flowering of their people's culture. The portraits were commissioned by Thomas McKenney, the head of the Bureau of Indian Affairs. King would paint the chiefs in his downtown studio, when they came to Washington to do business with the department.

Chief War Eagle wears a Jefferson Indian Peace Medal. This was a sign of great status for an Indian and worn at all formal events. Americans as well as Europeans gave out peace metals as far back as the 1600’s. The Jefferson Indian Peace Medal was the first medal to bear the image of an American president. Thomas Jefferson was depicted in profile on the obverse of the medal, with the inscription: "TH. JEFFERSON PRESIDENT OF THE U.S. A.D. 1801." The inscription on the reverse, "PEACE AND FRIENDSHIP," was symbolized by the image of clasped hands and a crossed tomahawk and peace pipe. Federal officials distributed medals when traveling through Indian territories. Lewis and Clark gave out about 87 metals on their expedition. In 1804, a dozen Osage chiefs arrived in Washington City. They were the first to make the long trip at the invitation of Captains Lewis and Clark. They were the first Native chiefs that Jefferson would meet and present with this metal. See original: bit.ly/3fXSerk

Édouard Manet - The Balcony

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Inspired by Édouard Manet - The Balcony

All the models are friends or relatives of Manet. Painter Berthe Morisot is the lady sitting on the left. Standing in the back is another painter Jean Baptiste Antoine Guillemet. On the right is the violinist Fanny Claus (no kidding). The fourth figure, partially obscured in the interior's background, is possibly Léon Leenhoff, Manet's son. Berthe Morisot was one of the three important female Impressionists. She was one of Manet’s favorite models. This was the first portrait Manet did of her. Then he painted her 11 more times. She would become the wife of his brother, Eugène.

There were many iterations of this painting. It was inspired by Majas on the Balcony by Francisco Goya. Which was very similar, and which Manet gave attribution. This painting was just a redo. and it took Manet a couple of shots at to get it right. In his first version there were two women on a balcony. The name of that painting is Portrait of Mademoiselle Claus (no kidding). In the first version Fanny is seated in the chair and Berthe is standing, back to painter. In this version he added two more characters and made Berthe sit and Fanny stand. Oh, and he threw in a dog with a bow in its hair beneath Morrisot’s chair. Then Surrealist René Magritte painted Perspective II: Manet's Balcony in 1950, a commentary on this work. In Magritte’s version there are four coffins (one "seated") in place of the four people. Magritte said "For me the setting of The Balcony offered a suitable place to put coffins. The 'mechanism' at work here might form the object of a learned explanation, which I am unable to provide.”

The painting was exhibited at the Paris Salon of 1869, and then kept by Manet until his death in 1883.

To see original: https://bit.ly/3rtj39s

Henri Rousseau - The Dream

Created in the same year as his death, The Dream was   Rousseau’s last painting, which was debuted at the MOMA only a few months before his untimely death.

Henri Rousseau was a self-taught artist who worked as a customs agent on the outskirts of Paris. He was considered one of the great naïve artists. In today’s art market his work would be considered “Outsider Art”. Much of his work was ridiculed, but he did have a small following. Pablo Picasso was one of his big fans and promoted his work. His characteristic paintings, in particular, those on the theme of the jungle captivated the art world with their representations of lush plant and animal life painted with incredible detail and precision. What's interesting though is that Rousseau himself never set foot outside France. His imaginary scenes were informed by visits to the Paris zoo and botanical gardens, and images from postcards, photographs, and illustrated journals. To see original: https://bit.ly/2GWMjin

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Henri Rousseau - The Dream - 1910
MOMA