Michelangelo - The Torment of Saint Anthony

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Inspired by: Michelangelo - The Torment of Saint Anthony – 1487-88

Anthony was a religious hermit, who lived for twenty years in solitude on a mountain by the Nile. There he
began his long struggle against the temptations of the devil, which became a legend of Christian history. This painting depicts one of his visionary levitations. He is being attacked by the devil, who is disguised in the form of animals and beasts.
This is the first known painting by Michelangelo, painted when he was thirteen years old. The work is one of only four easel paintings generally regarded as having come from his hand. This may have been a practice painting, since it is a colorized version of an existing engraving by the fifteenth-century German master Martin Schongauer.
The engraving had no background, so Michelangelo added his own. His background is filled with water, even a boat, but St Anthony was a desert dweller. I guess young Michelangelo didn’t do his homework.

To see original: https://bit.ly/3XCdndj

Fishing in the surf at Kajikazawa

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Inspired by: Katsushika Hokusai - Fishing in the surf at Kajikazawa

An Anglicized title for this print is “Fishing in the surf at Kajikazawa”. It was the first in the series, “Thirty Six Views of Mt Fuji”, the most famous of which was “The Great Wave of Kanagawa”. He started this series when he was 73, at the height of his career. He worked until he was 89 and felt he got better as he got older. Just before he died he wrote, “If only the heavens could grant me another five years I would become a great artist”.
The first impression of this print was all blue, but the number of colors was increased in later additions. Around 1790 the Dutch traders brought Prussian Blue pigments to Japan. At first this was very expensive, but by 1820 the price came down and the ukiyo-e began using it in their prints. Hokusai was one of the early adopters and the original version of many of his prints were all blue, including The Great Wave.  The Japanese called the new color Beru-ia, which comes from their word for Berlin, the city where the pigment was manufactured.
Like many of the Japanese artists of the era, Hokusai changed his name several times during his career. These changes often marked different stages of life, or it could have just been a way of refreshing the brand. By the time he got to the Mt Fuji series he was using the name Gakyo rojin (Old man crazy to paint). To see original: https://bit.ly/4fAztDn https://bit.ly/4fAztDn

Jacques-Louis David - Napoleon Crossing the Alps

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Inspired by: Jacques-Louis David - Napoleon Crossing the Alps

This was the first of five versions of this painting. When Napoleon became the First Consul he attempted to make peace with Charles IV of Spain. While talks were underway to re-establish diplomatic relations, a traditional exchange of gifts took place. Charles received Versailles-manufactured pistols, dresses and jewels for the queen from the best Parisian designers. In return Napoleon was offered sixteen Spanish horses from the royal stables, portraits of the king and queen by Goya, and this portrait that was to be commissioned rom David. Charles decided to hang it in the palace in Madrid, so Bonaparte instructed David to produce three additional versions. David threw in an extra for himself. This version remained in Madrid until 1812, when it was taken by Joseph Bonaparte after his abdication as King of Spain. During his exile in the United States it hung at his Point Breeze estate near Bordentown, NJ. In truth, this is a pretentious depiction of the event, since Napoleon crossed the Alps on a mule and instead of leading his army into battle, he followed them.

To see the original:bit.ly/4c98K06

Sir Lawrence Alma-Tadema - A Reading from Homer

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Inspired by Sir Lawrence Alma-Tadema - A Reading from Homer

Lawrence Alma-Tadema was one of the principal classical-subject painters of the nineteenth century. He became famous for his depictions of the luxury and decadence of the Greek and Roman Empire, with languorous figures set in fabulous marbled interiors. He was born in the Netherlands as Laurens Tadema, but he emigrated to England in 1870. When he tried to make his niche in the art world, he changed the spelling of his first name to the more English “Lawrence”. He included his middle name “Alma” as part of his surname, so he would be listed amongst the “A’s” in exhibition catalogues.
His meticulous archaeological research into Roman architecture, led to his paintings being used as source material by Hollywood directors in such films as: “Ben Hur”, “Cleopatra” and “Gladiator”. For “The Ten Commandments” Cecil B. DeMille would customarily spread out prints of Alma-Tadema paintings to indicate to his set designers the look he wanted to achieve.
He became one of the wealthiest painters of the 19th century. He was even knighted in 1899. But like so many great painters his work was mostly ignored after his death. His painterly prowess was not reestablished until fifty years later. One of his most celebrated paintings “the Finding of Moses” was sold in 1960 for $400, the same painting sold for $36,000,000 at Sotheby’s in 2010. If you bought $400 of Apple stock in 1980 it would only be worth $280,000 today.

To see the original: https://bit.ly/42t2Ylf

Sandro Botticelli - The Birth of Venus

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Inspired by: Sandro Botticelli - The Birth of Venus

This painting is all about Venus, and how Botticelli wanted to immortalize her. Not because of the goddess of love she represents, but because he was madly in love with the model, Simonetta Vespucci. Simonetta was born in 1453. At the age of 15, she arrived in Florence with her husband Marco. Marco’s family was connected to the Medici, so they were invited to court. It was there that Simonetta’s beauty became legendary. She didn’t just look like Venus, but totally embodied her grace and charisma.She modelled for Botticelli, di Cosimo and other painters who attempted to capture her remarkable features. She became Botticelli’s muse and is found in a number of his paintings. Her presents filled his masterpiece “Primavera”, where many, if not all, of the women are modelled after her. She died at the age of 22 from tuberculosis. This painting was created posthumously, almost ten years later. After those many years Botticelli still had a clear vision of her face and body. At the time of Botticelli’s death in 1510 he was penniless. His work had gone out of favor after Michelagelo and Raphael hit town. On his death bed, he asked to be buried at Simonetts’s feet, and that is where he lies today.

To see original: https://bit.ly/3y4qxTd